Archives par étiquette : Angola

Septième séance du séminaire, 12 avril 2021

ATTENTION CHANGEMENT D’HORAIRE ! EXCEPTIONNELLEMENT LA SÉANCE AURA LIEU À 15H, HEURE DE PARIS DU FAIT DU DÉCALAGE HORAIRE AVEC LES ETATS-UNIS !!!

Marissa Moorman, historienne, Indiana University Bloomington (Etats-Unis): “Nervous system: radio and state power in Angola” 

Photo: Emissora Oficial de Angola, 1967 shared with MM by architect Fernão Simões de Carvalho.

This presentation approaches state power through media, specifically radio, to consider this relationship in three moments of Angola’s 20th century history. I call this presentation ‘nervous system’ in order to foreground the role of affect in this relationship. States (and aspirational states, which is what liberation movements are), broadcast to national and international audiences to inform, influence opinion, destabilize their enemies, and forge a community of listeners. This talk will consider how radio technology structures listening and how the work radio does shapes not only what is said on the radio but why it matters. I explore sound’s affective qualities – how it makes listeners nervous, stokes their pride, or fosters their boredom – and how that affect, in the case of late 20th and early 21st century Angola – is related to the state.

Podcast autour de l’ouvrage de Marissa Moorman “Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931-2002” (Ohio UP, 2019)

https://podcasts.apple.com/us/podcast/new-books-in-african-studies/id425416616?i=1000501935192

Marissa J. Moorman’s book Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931–2002 (Ohio University Press, 2019) narrates Angolan history with the radio at its center. From its 1930s beginnings, radio has been used by actors as disparate as Portuguese settlers, guerrilla liberation movements, African nationalists and the postcolonial state to project and contest power across Angola’s sparsely populated territory. Moorman’s account pays special attention to the immateriality of radio, the clandestine and intimate experience of “listening in” while also attending to the technological—and techno-political—foundations on which that act of imagination relies.